25/01/2012>>>

First gig of the year on Friday 20th January at Bristol County Sports Club in Bristol.. a weird but charming little venue in the city centre where a group of OAP's were having a birthday party at the same time as the gig was taking place in the next room...

 

First up was Deej Dhariwal of Thought Forms playing a rare solo set (and it's always a treat for me to actually be able to WATCH him play...)
He started his set with harmonica sprawling out from a faraway porch, surrounded by long grass and travelling upriver to be blown across, sweet homely memories imprinted on the wind... 
Improvising his way through the sound of a lonely sinking ship, keyboard drones and awesome NOISE, perched wailing on his chair at the back of the room behind a wall of gear belonging to the other bands.
And the familiar live track "Dunking" sounding nostalgically beautiful and tinged, more fluid than usual.
All I ever want from watching live music is for a switch in my mind to flick me into a different way of thought, more flowing and primal, and that is exactly what he did for me. 
Looking forward to seeing lots more solo action from Deej this year.

Next was the mythical Fairhorns (aka Matt Williams Matt Loveridge Team Brick Klad Hest whatever). 
The first track he played was actually quite reminiscent of his band Beak>, the influence seeping in through krauty rhythms and hushed tones... moving with a keyboard that sounded like it had minature Tuuvan throat singers lodged inside of it whistling their shifts joyously through the room.
Mid set he played a piece of organ and blasting voice that was more Team Brick than Fairhorns, then again singing into headphones atop sampler, knowing.
He played one track from the great Fairhorns EP he made (that as yet hasn't seen the light of day?) and it's pixellated campfire cheer was warming.


Big Naturals are on top of their game at the moment, Gareth and Jesse so tightly knit together whilst at the same time now adding more... freedom to what they do both alone together and when joined by others (Matt stood in with them for a while during the set).
Really looking forward to hearing their forthcoming record on Rocket Recordings, as well as the music they've been making with Prof from The Heads.

19/01/2012>>>

This woman, Amy Drezner, is an amazing person.
She is an artist and architect whose passion for music and art and life is totally infectious.
She recently took part in an art show in Los Angeles, where she lives.

Inspired by the fucked up world of child beauty contests, she created an installation of life sized dolls with speakers embedded into them...



And the disconcerting and dreamlike soundtrack she made ( which you can buy for a dollar or more...) using sound recordings from pagents... 




16/12/2011>>>


We went to see Get The Blessing last night at The Canteen on Stokes Croft in Bristol. 



I'd only ever caught snatches of their sets before... and I'm not in a very good state to be writing today but it was fucking amazing, better than I was expecting it to be and I was expecting it to be VERY, VERY GOOD INDEED. 


Sax tortured and pulled through delay, stretched woodwind ghosts bumping into mirrors and trumpet maze... (I love trumpets) 
Lightning fingers like piano hammers, pounding straight in and destroying my imagination and just about one of the damned best drummers ever witnessed. 


Really looking forward to seeing them again... new album coming in 2012!

(Annoyingly I managed to miss the Big Naturals and Anthroprophh creating some killer riffs down at Kings Square Arts Space though what I heard from outside was sounding brutal. )

Thanks to Statick for these photos.

10/12/2011>>>

Bambikill, aka Christelle Rox from Bristol, guitar player in the Shamanbolic psych-drone band Vena Cava has posted up a video of her song "Heavy Blue"...


Beautiful drifting images to mirror the sonics, gentle drones swirling out of her guitar hands and syrupy voice, she is a wonderful human being who I'm not entirely sure is completely human. 

Check it out!






09/12/2011>>>

Went to see a triple bill of Fursaxa, Sharron Kraus and Meg Baird at The Cube in Bristol last Sunday night.

Sharron Kraus was up first and delivered a set of dark folk songs, the very English sound of her voice taking on the forms of murder in woodland glades, creating images of mushroom covered forest floors and mossy stones and of lonely rooms with dust meandering through beams of light, falling out of love... I knew of Sharron through various Terrastock type reasons, it was nice to see her play in Bristol.


Fursaxa suprised us by being up next, it was her we'd mainly gone to see, having fallen very much in love with her music after seeing her play at Terrastock 6 and then again that year (2006!) at the Thurston Moore curated ATP event in Minehead.

Started by looping melodica and then for the next 30 minutes she wove a tunnel of bells, voice, keyboard, loops and drones into light... (the kind of light that shines through wet cobwebs...) 
Hers is the music of dreams... she makes me feel like I'm floating through a different reality where thoughts form slower but more meaningful somehow... prisms, effortlessly falling.
Warm, warm surroundings of sound that becomes space that becomes a special place that she can take us to. 


Finally, Meg Baird came on. I've been hearing her name a lot recently and she came out and like Kraus, delivered some beautiful fingerstyle guitar playing but in a different way...
Meg reminded me a little of Linda Perhacs... light and sunny (not happy sunny just warm) vocally and lyrically a bit softer, watching both of them play guitar made me want to brush up on my own finger skills!

01/12/2011>>>

A new Thought Forms EP called "Sky Pegs" is now available through Lava Thief.
The 44 EP's housed in either paint splattered or black-on-black printed packaging contain three tracks - 

1) Ghost Mountain You And Me (4.58)
2) Song For Junko (5.48) 
3) Bowing (14.48)

The EP's are hand-numbered in gold, 1 through 44, and you can buy one for £3.00 from this link : 

Thanks to Chris Rocket for the artwork and to Gg:ull who inspired the packaging.




09/11/2011>>>

The artwork for the Gnod Dropout with White Hills album on Rocket Recordings has been nominated for a best art vinyl award for 2011.

The artwork was done by Johnny O Rocket and Chris from Gnod themselves, I think it's pretty awesome.

Please take 2 minutes to vote for it! 

03/11/2011>>>



















On Halloween I was walking past Cake Shop in NYC and a poster in the window caught my eye, LANDING playing tonight...

I was lucky enough to see Landing twice back in 2006 thanks to Terrastock 6 and the surrounding shows, so to stumble on an apparently rare gig (their website actually seems to suggest that it was their first show together after a few years off from the band) was ridiculously lucky.

They played as a three piece, Adrienne's beautifully subtle vocals settling on top of her synth lines and Aaron's fine web of guitar loops, as all is pinned down by a bassist with his back turned (I like his style) like butterflies to a wall... I sat there thinking that the sound they created was a sonic blizzard... a warm snowy storm of drones and fullness, comforting and familiar.

It was so good to see them play again.




















You can listen to and buy a whole bunch of their stuff on bandcamp... here is their latest album, the first track of which is my favourite song by them right now and I'm pretty sure they played it the other night though I can't be sure, I was lost in the storm.

11/10/2011>>>


Lee Ranaldo at Knitting Factory in Brooklyn a coupla weeks back... with an amazing drummer and a guy on bagpipes. Fucking awesome Lee.

26/09/2011>>>

Man Forever at Live With Animals, shiny and neon and things everywhere pretty, 10 drummers - 8 facing each other over shared snare, staggered start and fluttering like rain, 2 double kick drums near the end with a solo bass guitar rumbling, torrential.

Then Cave in the other room, the better moments were those with least notes, keep it simple and repetitive.

18/09/2011>>>

It's been a while since the last update, sorry about that, have been away and other craziness. 

I'll start back with this video made by the artist Ian Watson for the band Bear Man, who have a cassette out on his recycled tape label Phantomhead

I saw Bear Man play in Cardiff in August as part of our tour and they were absolutely amazing, a trio consisting of electronics, guitar and one HELL of a drummer scattering all over the place. 

You'd need to see them live to fully appreciate what they do but til then, here's that video.

05/08/2011>>>

We went to see The Heads play a small show at the Kings Square Experimental Arts Space in Bristol last night. 

The past month or so has been really quite stressful and difficult for several reasons... 
There's been a great deal of sadness, concern, anxiety and the general overwhelmingness of certain situations. I've felt it not just in my mind but in my body, heart pounding constantly and finding it hard to breathe. There have been tears. There has been valium. Yesterday, there was a panic-attack-meltdown at work. I just wanted to go home and sleep but I've been looking forward to this gig for a long time.

I went down, through a doorway on Kings Square,  it's my favourite place to see bands in Bristol; it's really special, Gareth from Big Naturals has spent a lot of time into absolutely transforming that space which was just a grotty maze of damp and dark practice rooms into something beautiful and unique...

The Heads played first (I think it was their first gig as a three-piece) and the moment they began I felt their energy rush through my body and soul. 
Every time I watch them, (which isn't often because they don't really play out all that much, or I don't know about it if they do) my every thought is blown away... in pieces and scattered, insignificant. 

My mind doesn't wander to other things when I'm watching them, nothing comes in or out of me but the music. 
The biggest smiles... it is the purest meditation. 

It doesn't happen often, getting completely immersed like that. COMPLETELY.
There are only a small handful of bands who can achieve that.
To be violently cleansed by vibration. 

Bands can pursue a sound or a style of music... lots of bands can be great.
But when you see a band like The Heads it makes you realize that they're in a completely different league to pretty much everything else that might get lumped in with that psych scene.
They've got something that goes far beyond what they're playing... I don't think I can explain it, but it's really, really fucking special. 

Thanks to them for blowing out everything and clearing the way for the next phase. 
For filling me with complete and utter pure untainted JOY and really... trying to find the right words here, but maybe... giving me a reminder of everything that I love and everything that means something to me, and why.

Driving home and trying to work out what it is and failing to put it into words, talking about how of all bands, it's The Heads we revere the most.

02/08/2011>>>

Silver Stairs of Ketchikan - "20:20" is now available
It was originally created for Bang The Bore's 2020 project,  where twenty participants made a piece of music and everyone sent to each other. 

There was some great stuff flying around!!!

I thought I'd do a small run on Lava Thief with different coloured artwork to that which was sent out for BTB.

This is shifting drones with cello, clarinet, bass guitar, bells, keyboard and any other instrument which happened to be laying around at the time - structured improvisation I guess, in four sections.

All with laboriously hand-made packaging.



29/07/2011>>>

Tonight at The Cube, Bristol : A Supernormal Festival fundraiser. Please come along!

27/07/2011>>>

Supernormal Festival needs you and you need it!!!
From the Rocket Recordings blog... 

Supernormal is a non profit festival, it is run by people who are doing it for the love and to get the chance to host an amazing event like they did last year, which Rocket Recordings attended and had the best festival experience of our lives, think Glastonbury '71 but less hippies!!!

Anyway, we at Mission Control have just been informed that due to the loss made last year, Supernormal has just been presented with some serious up-front costs that have to be paid. Ticket sales to date wont cover this cost, but if everyone who said they would buy tickets do ASAP this limit will easily be surpassed and the festival can be assured of happening...and with last year to go by, it will be a real shame it doesn't.

Don’t forget, all these amazing bands are playing, with still a couple real special guests, still to be announced:

Live:
Skullflower
Teeth Of The Sea
Thought Forms
Gnod
Black Abba (Alexander Tucker, Moss, Sunday Mourning collaboration)
Primordial Undermind
Gum Takes Tooth
Mugstar (DJ)
Cindytalk
Fuzzy Lights
Pink Reason
Big Naturals
Black Tempest
Drunk In Hell
Bad Guys
Maria and the Mirrors
The Rent boys
The Nuns
Proxy Music
A Band
David Davant an his Spirit Wife
And many, many more

Plus art by
Geraldine Swayne, Juneau Projects, Dirty Electronics, Chicks on Speed, Lucienne Cole, Tai Shani and many more.
So, if you are thinking of coming, please buy a ticket from here before 7th August...

Thanks

18/07/2011>>>

I went to see Michael Chapman play at The Village Pump in Trowbridge on Friday night.


The Village Pump is my favourite venue in the entire world and it was awesome to see him play there (I know he's a much loved favourite of the people who began the folk club back in the early 1970's and are still as dedicated to it today...) after witnessing him for the first time at Union Chapel back in May, supporting Thurston Moore.

As expected, his set was a weave of mind-fucking guitar-work, fingers moving at the speed of hearts and with his fine deep, gravelly voice rich with the truths of time. He jokes between the songs, seasoned.

He's just had a record out on Ecstatic Peace, called The Resurrection And Revenge Of The Clayton Peacock - limited to 500 copies, a stunning exploration through drones n tones which though a completely different thing to the shows I witnessed, when he plays live you can hear some of those nuances and influences coming out, in richness and subtleties crafted out of the acoustic-thru-pedals execution.



Pops and reverberation, warm and deep, soul-meditation, ;;; repetition and shimmer / beautiful guitar improv (right up my street...) I recommend you try and seek out this record via whichever means you can.

Back to that Union Chapel show...

After MC's wonderful support set, Thurston Moore ... I was looking forward to this gig for a long time, naturally... not least because the new album Demolished Thoughts is one of my favourites of the year and a lovely... progression from 2007's "Trees Outside The Academy".

The sound of bittersweet nostalgia soaked in sunshine, thoughts trailing back to all those times, pleasurable hurt, pure, and clean rivers flowing through...

"whisper I love you one thousand times into his ear"...

another record that is full of subtleties that run away and come back to you constantly.

"needle hits black laquer, speakers forgive lies" 

now and again it spins off into a sonic storm, delicate raw power falling out, intense and humid, this is something that was an absolute highlight at the show each time it happened... capturing and unleashing the absolute intensity of those outpourings, so CRUSHING, a la Diamond Sea but organic and just as whole... I was moved deeply.

I am in love with this LP and to see it live in such a gorgeous setting was really special.

The drummer was stand-out incredible... Mary Lattimore's harp playing as lovely as it is on the album, I'm a huge fan of Samara Lubelski's string playing (tangibly warm as always), Keith Wood / Hush Arbors joining on guitar also.






TM also played a song from Psychic Hearts and one from Trees...
but a special highlight for me was when he read some of the poetry included in the booklet that comes with the double vinyl (a nice surprise to find inside...)

Part of what he read was one of my all time favourites, something that always makes me smile and was included in his "Sensitive / Lethal" CD artwork... I'll leave you with that.


My heart was bursting joyous. Perfect gig. Thanks.

13/07/2011>>>

Ian Watson, one of LT's favourite artists, is taking part in an exhibition called "Character Totem" which opens next Thursday 21st July at the Zellig space in Birmingham's Custard Factory.

‘Character Totem’ is an inspiring and colourful walk-through installation of hand-painted, wooden totem poles, lovingly created by an evolving collective of 32 illustrators, artists and image-makers from across the globe.

It looks like fun, wish I could go! Or hopefully they'll do something similar in Bristol soon... it's being presented by "Inkygoodness" who are Bristol / Birmingham based.

12/07/2011>>>

Raw Power all dayer on Sunday at Corsica Studios... I was stuck on the stall with Rocket for much of the day so missed a lot of bands (including Clinic - damn!) but fuck me, Teeth Of The Sea... probably the best set I've ever seen them play, they've always been awesome but there's something about them now that seems to have exploded, they've really got it nailed...

Bo Ningen were beautiful Japanese witches conjuring up psychic firestorms;

also, it was my first time seeing Part Chimp (FINALLY) and they were incredible too, I have a very sore neck...

But yeah. Mainly, just make sure you go and see Teeth Of The Sea next time you get a chance!

29/06/2011>>>

RIP Joey Chainsaw

You were a good friend to me.

You were always making something, whether you were recording down in the basement or painting or drawing - seemed like almost every time I saw you, you had a new CD-R to chuck at me. 

I am sat listening to Toxic Force UFO. I am sorry that I'm so slow at making things that you never got to see it released. 

I hope you are happy now and at peace finally. 

We love you Bro Joe. 



14/06/2011>>>



Don't forget that tonight, Thought Forms, Matt Loveridge and Fuzzy Lights are playing at The Croft in Bristol.

It starts at 8, TF will be on at about 8.15, ML at about 9 and FL at 10.

Should be pretty awesome, it's in the front bar, nice n cozy.

09/06/2011>>>


Begin Quote :

"Thought Forms are ecstatic to announce they will be opening for Portishead next week in Holland.

They have been personally invited by the band to perform at Vredenburg Leidsche Rijn in Utrecht on Wednesday 15th June.

As previously announced, this will be Portishead’s first show since 2008 and kicks off their 2011 European Festival Appearances."

08/06/2011>>>





In Gnod We Trust starts with a crash of strings…

A vivid picture, 70’s cinema shows someone meet their end in the stairwell of some Manhattan apartment building, crushed to death by a piano sent hurtling at them by the forces of some demonic entity…

Gnod Have Arrived.

Side A is a version of Tony’s…
That famed slice of total bliss, that song that when you hear those first notes blast out at a show the hands are first thrust into the air then clutching at your ankles for the next twenty minutes… yeah Tony’s First Communion is a different version of THAT song and when I first heard it I was a little surprised, it wasn’t the Tony’s I was so familiar with from many nights of movement… but it’s fuckin’ dead on.

This is their marching music… marching out of Manchester, invading and pillaging as they go, bringing the sound of TRUTH to all those who will listen -  preaching by permeating your very core; pied pipers, they lead us off one by one, joining their cause, this right-on army.

Zoom out and out and out from the grey, atop the mish-mash of architecture, red brick mixed with cement and a hint of silver lamé, out and out and out into space…

PULSATING

The intergalactic heartbeat, the life-source of all beings, heart to heart and mind to mind, third eye to third eye…

This creature has many arms, creating incessant, like some scene from a factory, production line… this is god but not the god we remember.
This sinister creature makes us in his own filthy image.

Conveyer belt.

The party grows subtly until it’s out of control.
In a trancelike state, you know only one thing and that is:

If the beat stops - you will die.

If you stop moving to the beat - you will die.

That much is certain.
Yes, as long as they keep playing this BEAT for all time, everything will be ok.

Total.
Rapture.

This is the sound of going out of your mind.
This is the sound of seeing the light.
Of finding Gnod.

Side B.---- VATICAN.

Sexual stop-start
dingy heavy-chested organ all warped, grind out commandments over the sex repetition,
Sleazy industry.

Ceremonial bells of the sacrifice, sacrificing the establishment and making a mockery of the false powers that be…

Nature taking back the planet, reclaiming what is ours; tendrils of the underlying magick curling out and down and sneaking it’s arms around you, reclaiming and inclusive to pure and secret elements.

GUTTERAL;

Replacing evils with freedom

Crushing down, blasting down, justice served.

The sound of taking over and destruction for the greater good, freeing the unstoppable truth.

This a great record, heavy psych and repetition, hooks of noise moving in and out of the foreground, completely hypnotic spirituals.

And Rocket never fail in the packaging department, I love the artwork for this (lines, lines get me every time) and the nice slice of white vinyl brings it all together sweetly... 

07/06/2011>>>

A great night at The Cube in Bristol last Friday (3rd June)...

Matt Loveridge was up first.
It was the first "Matt Loveridge" set I've seen Matt Williams (Team Brick / Beak / Fairhorns / Gnar Hest / Klad Hest / whatever) do and he played a set in three sections; starting out like many a Team Brick set of yore - noise wall which seems to rotate upon itself until it creates drones that flit in and out like ghosts, two vocal mics, one to feed the FX and the other singing monk-style atop the cacophony.



Some direction was added when Matt picked up the guitar and was joined onstage by Thought Forms very own drummer Guy Metcalfe - it really picked up then.



It's a real pleasure to be able to watch Guy drum from an audience perspective for once, something that doesn't happen too often but I always enjoyed watching the incredible octopus boy move over the kit.

He added some scattered hard hitting shimmers and punches over toms and cymbals alike, clearly physical... meanwhile chorded progression deep guitar making a couple of wonderful moments of communication and connection clarity.

It winds down and Guy retreats... Matt ended the set with some really  beautiful chiming bells ringing out across the silence of the packed out Cube Cinema; I liked how his set started out really noisily and gradually came down to the decay of a single bell. Kinda set the tone for the whole night.



Thought Forms were up next and we played a slightly shorter set than normal, had a really great time - we love playing at the Cube especially noting the juxtaposition between that and our gig the night before, (it's good to have some variety) and enjoying the chance to extend the dronage.

It was my first time seeing Six Organs Of Admittance play - Ben Chasny was solitary onstage, binding spells as his fingers flew across the strings of his acoustic guitar seemingly effortlessly, so warm and gorgeous... letting some vocals in now and again.



It was great to see him play finally after years and years of hearing about how awesome he is.



Dedicating his last song to our friend Phil Mcmullen (founder of the legendary Terrascope) and hearts were warm.

26/05/2011>>>


The new Gnod album "In Gnod We Trust" is out on Rocket Recordings on Monday 6th June 2011. 

You can pre-order it from Picadilly Records HERE.  

Message from Mission Control

Brothers and sisters, to prepare ourselves
to celebrate the sacred mysteries of Gnod,
let us call to mind our sins.

We believe in one Gnod,
Gnod Almighty
makers of heavy black slab on Earth.

We believe in one Chord, seamless, sublime,
the one and only sound of Gnod,
eternally begotten of the marcher.

Gnod from Gnod, light from light,
true Gnod from true Gnod,
begotten, not made, of one Being with the maker;
through Them all riffs were played.

For us and for our salvation
They came down from Manchester;
by the power of Tony’s (un)limit,
They came to reincarnate and made
the last disco’d beat.

Tony’s First Communion, if you choose to
be blessed by this record, is the first reception
of the Sacrament on vinyl; this long-standing
favourite has been celebrated over centuries of
incarnations and Rocket are proud to release
its rite of passage.

The ceremony of this Communion lasts
20 minutes and 2 seconds.
On the second side Gnod rose again in
accordance with the Scriptures; They ascended
into noise upon this Earth and were seated at
the right hand of the Vatican.

This 13 minute holy doctrine sees Gnod take
away the sins of the world; it cleanses the
incense (the in-sense-out-sense) from the all
seeing (third) eye, like a Faustian Butthole
Surfers sharing bread with Shit & Shine and
John Carpenter turning water into wine.

Some ceremonies owe their institution to purely
physical reason; for Gnod it’s the mystical
reason that They represent.

INGNODWETRUST is founded on honour
and soul, They for one are finally washing their
hands with downcast eyes.

23/05/2011>>>


The gig at the Croft on Saturday night which was a part of the “Stokes Croft Festival” was awesome, in spite of turning up after the Hysterical Injury had already played and the fact that Hunting Lodge had to pull out.


I turned up just as Big Joan were starting; hammering, repetitive bass-lines (mmm…) and knife-you guitars, with Annette Berlin’s animalistic vocals burning through and simmering… Sharp fuzz.
They’re a “have to dance” band and a band I haven’t seen enough over the years unfortunately, in spite of their legendary status in Bristol.


Gonga followed.
Fuck.
I’ve seen a lot of Gonga shows over the past few years…
I’ve seen them with Joe Volk singing. I’ve seen them with Chris from Taint singing. I’ve seen them with Tom from Salute singing. I’ve seen them with Team Brick singing, not to mention numerous different bass players.
I’ve seen them play instrumental versions of songs from the albums. I’ve seen them play improvised instrumental sets. Nothing I’ve seen them do has compared to what they did on Saturday.

It seems like after all the seemingly constant upheaval member-wise, Gonga have finally found their way and have really gelled as a guitar / bass / drums three-piece.

It’s a completely different set, they’ve taken the best bits of the “old” Gonga that I know and love and then twisted those influences up with those creative wanderings that were audible in their improv set at Invada Invasion and they’ve really moved on as a band, it’s a totally fresh sound and as much as I always loved watching Gonga play in the past, I wasn’t prepared for how much they blew my mind to pieces.

They played three songs, I think… the set, particularly the last song, seemed to have a far more psychedellic edge to it, more repetition… called to mind certain Circle tracks and even some of the punkier Gnod stuff, the ones that really make you lose your shit. Anyway, all I know is that I had my eyes closed most of the time but when I did look up to the stage, they had a new kind of confidence and togetherness to them that wasn’t always there before.

Really looking forward to seeing them play live again, and to any record that may come about.


And then there was Geisha.
Ten whole years of Geisha… a more drastic metamorphosis on their part, this time they were three (which was great to see) and again, they delivered a digital onslaught of filthy, joyous noise.
Wearing the same shirts they were wearing ten years ago at their first ever show together.
Aww.
Ten More Years!